The best wines from The Global Riesling Masters 2020

One of the favourite grapes of the true wine connoisseur, Riesling comes in many types, from sparkling to dry, from medium to sweet. But our annual blind-tasting test showed that there are delights in all categories. Read on for an analysis of the results and a list of all the medallists from the 2020 competition.

If you want proof of Riesling’s versatility, then look at the spread of top medals in this year’s competition. Held for pure Riesling only, we had fantastic entries for sparkling wine, dry still wines, medium dry and sweet ones, including an outstanding Icewine at the end of the tasting. It shows that not only can Riesling be used to make a wide array of wine styles, but in each case, it can achieve excellence. This is rare in the wine world, where noble grapes tend to create something exceptional in one or two styles, with only Chenin Blanc, and perhaps Furmint, being other grape varieties that can I can think of that are capable of yielding excellent sparkling, dry and sweet results.

So, starting with the sparkling Riesling, with had a small taste of Sekt, with two delicious examples from Kessler in Württemberg, with the second notable for its fresh chalky edge, and intense, lime-like fruit. Then we came across another sparkling, which was a touch pricier, but with a more powerful flavour combination of peach, citrus and biscuit, and then the bright, firm, hallmark Riesling acidity. We awarded this a Gold, and later learnt that it was from Thirty Bench in Canada, and not Germany, as had been presumed.

Among the still wines in the tasting, starting with the driest Rieslings, the quality was high, and while a few of the wines seemed a touch dilute, there seemed to be fewer incidences of fiercely acidic samples, the sort that finished firm, as opposed to fresh.

Notable among the dry samples were two wines in particular. The first of these was the Riesling Les Princes Abbés from Domaines Schlumberger in Alsace, which impressed the judges with its combination of tangerine, lime and beeswax in a textured, slightly evolved and dry style.

The other Golds in the dry category were pricier, and both came from Australia’s Clare Valley. The cheaper of these, from Wakefield/Taylors, was a brilliant example of its type, with masses of juicy lime, and a dry, stone-like finish – it was bright, but not sharp.

The other, from Kilikanoon Wines, was similarly dry and fresh, and also loaded with lime, but being an older vintage – it was from 2011 – it had the lovely flavours of aged Riesling, from toast to a touch of kerosene. But running both these wines close were a sweep of excellent Rieslings, as you can see from the high number of Silvers, even under £15.

In other words, if you opt for dry Riesling, particularly from Australia’s Clare and Eden Valley, then you can be assured a high standard of wine, with clean citrus fruit, and Riesling’s wonderful crisp character.

When it came to those Rieslings with just a touch of residual sugar, the medium-dry style, again the standard was high, with any sweetness more than offset by the high natural acidy of this grape variety.

Within the ‘medium-dry’ flight we tasted some lovely floral peachy samples from Chile (Cono Sur) and a good value wine from New Zealand (Hunter’s). Among the Golds was a ripe and bright Riesling mixing peach and pear with fresh lime zest, which hailed from Casablanca in Chile (Casas del Bosque) and soft, pure, persistent sample from the Pflaz in Germany (Ruppertsberger Weinkeller Hoheburg).

CRISP FINISH

At higher prices, there were two brilliant Rieslings from Domaines Schlumberger, representing a pair of Alsace grands crus: Saering and Kessler, with the former showing a touch more ripe peachy fruit, honey and tangerine, and the latter more pear and apple, along with chalk and salt characters on its crisp finish.

Germany was the source nation of the final Gold in this sweetness category, with the powerful Rheingau Grosses Gewachs Riesling from Weingut August Eser, loaded with apricot richness, a touch of sweetness, and a stony, dry, lime-fresh finish.

The rest of our outstanding wines came at higher sweetness levels, notably the Riesling Rotschiefer from the Mosel’s Weingut Sorentburg, with peach and strawberry, a whiff of kerosine, and a persistent clean citrus note.

Then came our first Riesling Master, which was from the same winery, but this was its old vine expression from the 2017 vintage, which was a highly impressive wine, with apricot, marmalade and beeswax, a touch of sweetness, and then a long, apple-like bright finish.

Finally, we had some very sweet Rieslings, including a delicious Auslese from Weingut August Eser. Although the wine had more than 100g/l of residual sugar, it was still a beautifully clean and fresh expression.

Our final wine of the tasting turned out to be another Master. It was layered with fruit flavours from mango to apricot, along with dried apple and raisins. It was unctuous too, with almost 190g/l of sugar, but offset by a tangy freshness. It had the characters of great Icewine, which we later learnt it was, and from Canada’s Andrew Peller Estates.

Please see the tables below, which feature all the medallists from this year’s competition.

Sparkling

Winery Name Region Country Vintage Medal
£10-£15
Kessler Sekt Kessler Jägergrün Riesling Brut Württemberg Germany NV Silver
£15-£20
Kessler Sekt Kessler Riesling Reserve Vintage Württemberg Germany 2016 Silver
£20-£30
Thirty Bench Wine Makers Thirty Bench Sparkling Riesling Beamsville Bench Canada NV Gold

Dry (0-4 g/l)

Winery Name Region Country Vintage Medal
£10-£15
Charles Smith Wines Kung Fu Girl Riesling Washington State USA 2019 Silver
RockBare Rockbare Clare Valley Riesling Clare Valley Australia 2019 Silver
Reillys Wines Reillys Watervale Riesling Clare Valley Australia 2019 Silver
McGuigan McGuigan Cellar Select Riesling Hilltops Australia 2018 Silver
Wakefield/Taylors Wines Aldi Exquisite Collection Riesling Clare Valley Australia 2019 Silver
£15-£20
Domaines Schlumberger Riesling Les Princes Abbés Alsace France 2016 Gold
Gatt Wines High Eden Single Vineyard Riesling Clare Valley Australia 2017 Silver
McGuigan McGuigan Shortlist Riesling Clare Valley Australia 2019 Silver
Kilikanoon Wines Mort’s Block Riesling Clare Valley Australia 2019 Silver
Kilikanoon Wines Mort’s Block Riesling Clare Valley Australia 2018 Bronze
£20-£30
Wakefield/Taylors Wines Reserve Parcel Riesling Clare Valley Australia 2019 Gold
Tempus Two Tempus Two Pewter Riesling Clare Valley Australia 2019 Silver
Wakefield/Taylors Wines McGuigan Shortlist Riesling Clare Valley Australia 2020 Silver
Wakefield/Taylors Wines St Andrews Riesling Clare Valley Australia 2020 Silver
£30-£50
Kilikanoon Wines Mort’s Reserve Riesling Clare Valley Australia 2011 Gold
Domaines Schlumberger Riesling Grand Cru Kitterle Alsace France 2017 Silver
Kilikanoon Wines Mort’s Reserve Riesling Clare Valley Australia 2017 Silver
Weingut Baron Knyphausen Erbacher Hohenrain VDP Grosse Lage GG Rheingau Germany 2019 Silver

Medium-dry (5-12 g/l)

Winery Name Region Country Vintage Medal
Under £10
Hunter’s Wines Hunter’s Riesling Marlborough New Zealand 2019 Silver
Ruppertsberger Weinkeller
Hoheburg
Imperial Riesling Palatinate Germany 2019 Silver
Ruppertsberger Weinkeller
Hoheburg
Riesling Pfalz Organic Palatinate Germany 2019 Silver
Schmitt Söhne Thomas Schmitt Private Collection
Riesling QbA Dry
Mosel Germany 2019 Silver
£10-£15
Cono Sur Cono Sur Single Vineyard Bío Bío Valley Chile 2019 Silver
Cono Sur Reserva Especial Riesling Bío Bío Valley Chile 2019 Silver
Weingut Baron Knyphausen Riesling Charta Rheingau Germany 2018 Silver
Charles & Charles Charles & Charles Rieling Washington State USA 2018 Bronze
£15-£20
Ruppertsberger Weinkeller
Hoheburg
Imperial Riesling Organic Palatinate Germany 2019 Gold
Viña Casas del Bosque Riesling Casablanca Valley Chile 2019 Gold
Gatt Wines Eden Springs Eden Valley Australia 2017 Silver
£20-£30
Domaines Schlumberger Riesling Grand Cru Saering Alsace France 2017 Gold
Domaines Schlumberger Riesling Grand Cru Kessler Alsace France 2017 Gold
Cembra Cantina di Montagna Vigna Cancor Trentino Italy 2017 Silver
£30-£50
Weingut August Eser Hattenheim Nussbrunnen Riesling GG
Trocken VDP Grosse Lage
Rheingau Germany 2019 Gold

Medium (13-45 g/l)

Winery Name Region Country Vintage Medal
Under £10
Ruppertsberger Weinkeller
Hoheburg
Ruppertsberger Hofstück Riesling Palatinate Germany 2019 Bronze
£15-£20
Thirty Bench Wine Makers Thirty Bench Small Lot Riesling
Triangle Vineyard
Beamsville Bench Canada 2017 Silver
Thirty Bench Wine Makers Thirty Bench Small Lot Riesling
Wild Cask
Beamsville Bench Canada 2017 Silver
Viña y Bodega Estampa Inspiración Riesling Colchagua Valley Chile 2018 Silver
Weingut August Eser Oestrich Lenchen Riesling
Kabinett VDP Grosse Lage
Rheingau Germany 2019 Silver
£20-£30
Weingut Sorentberg/
Castelfeder Winery
Sorentberg Riesling Rotschiefer Mosel Germany 2018 Gold
£50+
Weingut Sorentberg/
Castelfeder Winery
Sorentberg Riesling Von 1000
Alten Reben
Mosel Germany 2017 Master

Sweet (+46 g/l)

Winery Name Region Country Vintage Medal
£10-£15
Schmitt Söhne Thomas Schmitt Private Collection
Riesling Kabinett
Mosel Germany 2019 Silver
Schmitt Söhne Thomas Schmitt Private Collection
Riesling Auslese
Mosel Germany 2018 Silver
£30-£50
Weingut August Eser Oestrich Doosberg Riesling Auslese
VDP Grosse Lage
Rheingau Germany 2019 Gold
£50+
Peller Estates Winery Signature Series Riesling Icewine Niagara Peninsula Canada 2018 Master

About The Global Riesling Masters

With high-quality judges and a unique sampling process, the Global Riesling Masters provides a chance for your wines to star, whether they hail from the great vineyards of Europe or lesser-known winemaking areas of the world.

The 2020 competition was judged by David Round MW, Patrick Schmitt MW and Patricia Stefanowicz MW in December at London’s 28°-50° Wine Workshop & Kitchen. The top wines were awarded Gold, Silver or Bronze medals according to their result, and those expressions that stood out as being outstanding in their field received the ultimate accolade – the title of Riesling Master. This report features the medal winners only.

Please visit The Global Masters website for more information, or, to enter future competitions – giving you the chance to feature online and in print – please call: +44 (0) 20 7803 2420 or email Sophie Raichura at: sophie@thedrinksbusiness.com

Judge’s comment: Patricia Stefanowicz MW

“After a glorious day of judging the Riesling Masters in 2020, it is difficult to understand what is not to love about the Riesling grape variety. This great grape shows its range of styles beautifully, far beyond its ‘homeland’ of Germany, Alsace and Austria. Dry Rieslings can sometimes appear ‘acidic’ or ‘stretched’. Not this category here. With just a tiny bit of residual sugar and ripe fruit, these wines have purity of citrus flavours, ranging from lemon-lime in the Clare Valley (Australia) through tangerine to orange zest (Eden Valley, Australia). Apple, pear, honey and minerality are more apparent in the wines from Germany or Alsace. Many of them have a lovely accent of lemon or orange blossom adding interest.”

The best wines from the Chardonnay Masters 2020

Despite being a grape that is grown in all of the globe’s major winemaking areas, our judges tasted some pleasantly surprising examples from countries less known for their Chardonnay prowess. Read on for the results in full, including top medallists from California and the Western Cape, as well as Romania and Greece.

In the many years we’ve run the Chardonnay Masters, this year’s results were the best. Such a high tally of topscoring wines is testament to better winemaking, along with an improved decision making when it comes to picking times, ensuring grapes are harvested when neither under- or over-ripe. After all, Chardonnay can, easily it seems, veer into two extremes – it can be picked early to create something that lacks the juiciness that comes with fully ripe berries, or it’s harvested late to yield a wine with high sugars, and therefore burning alcohol levels, coupled with dried fruit flavours and a lack of freshness. In between such opposites there’s quite a wide spectrum of appealing Chardonnay styles, providing diversity to the varietally defined category. Add to this the influence of source area, and you have a complex selection of wines, even though they are all made with the same grape.

Not only was the quality this year higher than ever, but the range of regions broader than in the past, with countries making delicious Chardonnays including Mexico, Turkey and Greece – none of which are traditionally associated with fine examples of the grape.

As for the overall stylistic success of the Chardonnay being made in 2020, that comes down to more than picking times. This is a grape where practices in the cellar are key to the resulting wine’s quality, expression, and overall level of interest.

This concerns techniques to augment texture and flavour in Chardonnays through lees contact and management, and oak influence, along with the common practice of malolactic conversion, which sees the tart-tasting malic acids transformed into softer lactic ones under the action of bacteria.

Not all Chardonnays that eschew this latter process are unpleasantly acidic: some that undergo it can become unpalatable if, rather than taking on a creamy taste, they develop one that’s overtly buttery.

What about oak and lees? In both cases, these should impart an additional richness to the wine’s texture, and some complementary flavours, from nuts to toast, matchstick and vanilla. The wood influence in particular should be in harmony with the base wine; it should not mask the characters of the Chardonnay, and, in general terms, a stronger, juicier wine can handle a more powerful influence from barrels – or more new oak.

Then there are the lees to consider, a byproduct of the winemaking process that can be stirred to bring a nutty richness or left undisturbed to scavenge oxygen from the wine, and bring about ‘reductive’ flavours, which can be pleasingly, gently sulphuric – like a freshly struck match – or, if not managed properly, turn nasty, adding aromas similar to rotten eggs.

TEXTURE AND FRESHNESS

In 2020 the top-scorers managed to achieve something important for Chardonnay – a wine with texture and freshness. This is a grape that’s capable of producing white wines with a certain weight, along with cleansing natural acidity.

Neither I nor my fellow tasters rated the bony samples, even if they offered high levels of refreshment. There are plenty of grapes grown worldwide that suit a linear, taut wine style. To try and create such a wine type with Chardonnay not only means missing out on its capability to turn out something more generous, but also risks disappointing the consumer, who generally opts for this grape when seeking a textural style of white (Chablis being the exception, but chosen for its unique style, which is based on this region’s site and climate specifics, rather than the base variety).

Now, let’s consider the outstanding samples. With so many Golds this year, I’ve picked out some personal favourites and unusual discoveries from the tasting, but all of those listed in the tables will satisfy the Chardonnay lover.

In the sparkling category, a mention has to go to Kent producer Gusbourne, whose blanc de blancs really was a brilliant example of pure Chardonnay traditional method fizz, with a bit more fruit than you might find in the equivalent from Champagne, such as the excellent example we had from Ayala, but with no less freshness, or biscuity complexity.

Moving on to the still wines, and dropping down to sub-£10 Chardonnay, I was delighted to taste a really delicious, fruity, gently creamy sample in the unoaked category, which hailed from Casablanca in Chile, made by Morandé.

We also tasted a rare example of an outstanding (if pricy) unoaked Chardonnay, which was the Acero – meaning ‘steel’ in Spanish – from the Marimar Estate in Russian River Valley, a property owned by Torres.

Back to sub-£10, but in the oaked sector, it turned out we had awarded Jacob’s Creek Classic Chardonnay a Gold medal, confirming this really is a great big-brand bottle of Chardonnay for a bargain price.

Moving a little further up cost-wise, but not much, was a lovely cream, cashew and peach-flavoured Chardonnay from Romania, called Sole, and made by the reliable Cramele Recas.

Between £20 and £30, judging by the number of Golds awarded, this is a sweet spot price wise for fine Chardonnay, with the standout sample coming from Tempus Two in Australia’s Hunter Valley.

But the top scorers here were mostly from Australia, or California, although there were a few rivals from rather less likely sources, such as great bottles from Mexico (Vinicola San Lorenzo), and Turkey (Chamlija). Furthermore, there was a wonderful find from Alpha Estate in Greece, which was bright, toasty, textured and affordable.

Another source of excitement in this price band was a Gold medallist from pop star Kylie Minogue. Made for her by the first-rate Howard Park in Margaret River, this was the first time Kylie’s new-launch wine had been taste tested blind against its peers. Those who are sceptical about celebrity-backed wines should be reassured – this is a great glass of Chardonnay.

Chardonnay Master: Capensis from the Western Cape

BEAUTIFUL AND TEXTURED

Over £30 and we tasted a beautiful and textured Chardonnay from Daou in Paso Robles, and a more smoky, toasty type from Marisco in Marlborough. And at the very top end, over £50, the wow factor was certainly evident, in particular among the Californian Chardonnays of Stonestreet (Alexander Valley), Marimar (Green Valley) and The Barn (Sonoma County).

My highest scorer, however, hailed from South Africa. Capensis is a relatively new top-end white from the Western Cape, made by California’s Chardonnay experts, Jackson Family Wines. It’s outstanding, mixing creamy, toasty oak, and peach and apple fruit with the perfect Chardonnay texture: it’s soft and rich as it hits the tongue, zesty and bright as it slips down the throat, with a lovely lingering note of freshly roasted nuts.

It’s not cheap, at close to £100, but when viewed relative to the price of grand cru white Burgundy, which Capensis would rival for quality, it’s doesn’t seem so expensive either.

Please see the tables below, which feature all the medallists from this year’s competition.

Sparkling Chardonnay

Winery Name Region Country Vintage Medal
£30-£50
Centre Vinicole –
Champagne Nicolas Feuillatte
Cuvée Spéciale Blanc de Blancs Champagne France NV Silver
Centre Vinicole –
Champagne Nicolas Feuillatte
Collection Vintage Blanc de Blancs Champagne France 2014 Silver
£50+
Gusbourne Blanc de Blancs Kent UK 2015 Master
Champagne Ayala Le Blanc de Blancs Champagne France 2014 Gold

Unoaked Still Chardonnay

Winery Name Region Country Vintage Medal
Under £10
Viña Morandé Morandé Estate Reserve Chardonnay Casablanca Valley Chile 2019 Gold
Cono Sur Organic Chardonnay San Antonio Valley Chile 2019 Gold
Cramele Recas Paparuda Chardonnay Banat Romania 2019 Silver
Cramele Recas Umbrele Chardonnay Banat Romania 2019 Silver
Cramele Recas Brindle Ridge Chardonnay Banat Romania 2019 Silver
Mas la Chevalière L Chardonnay Languedoc-
Roussillon
France 2020 Silver
Vistamar Reserva Chardonnay Maule Valley Chile 2020 Silver
Mancura Etnia Chardonnay Central Valley Chile 2020 Silver
Mancura Guardian Chardonnay Maule Valley Chile 2019 Silver
Mancura Mito Chardonnay – Viognier Casablanca Valley Chile 2018 Silver
Barton & Guestier B&G Réserve Chardonnay Pays d’Oc France 2019 Silver
Globus Wine King’s Parrot Chardonnay SE Australia Australia 2019 Bronze
Santa Helena Varietal Chardonnay Central Valley Chile 2020 Bronze
Vistamar Brisa Chardonnay Central Valley Chile 2020 Bronze
£10-£15
Santa Helena Santa Helena Reserva Central Valley Chile 2020 Gold
Cramele Recas Sole Chardonnay Timis Romania 2019 Gold
Maso Grener Vigna Tratta Chardonnay Trentino DOC Trentino Alto-Adige Italy 2019 Silver
Viñedos Emiliana Adobe Chardonnay Casablanca Valley Chile 2020 Silver
Vignobles Bonfils Domaine de Cibadiès – West Side Languedoc Roussillon France 2020 Silver
Viña Morandé Morandé Gran Reserva Chardonnay Casablanca Valley Chile 2019 Silver
Vistamar Gran Reserva Chardonnay Casablanca Valley Chile 2019 Silver
Vistamar Corte de Campo Coastal White Casablanca Valley Chile 2018 Silver
Yedi Bilgeler Winery Anaxagoras Denizli Turkey 2020 Silver
Yedi Bilgeler Winery Anaxagoras Denizli Turkey 2019 Bronze
£15-£20
Bouchard Finlayson Sans Barrique Chardonnay Walker Bay South Africa 2018 Silver
Vinicola San Lorenzo Casa Madero Chardonnay Parras Valley Mexico 2019 Silver
Laroche L Chablis Burgundy France 2019 Silver
The Lane Vineyard The Lane Chardonnay Adelaide Hills Australia 2019 Silver
£20-£30
Giusti Wine Chardonnay IGT Trevenezie Dei Carni Veneto Italy 2019 Silver
Jean Leon Jean Leon 3055 Penedès Spain 2019 Silver
£50+
Viña Chocalan Chardonnay Reserva Maipo Valley Chile 2019 Gold
Marimar Estate Acero Russian River Valley USA 2018 Gold

Oaked Still Chardonnay

Winery Name Region Country Vintage Medal
Under £10
Viña Luis Felipe Edwards Luis Felipe Edwards Gran Reserva Leyda Valley Chile 2020 Gold
Jacob’s Creek Jacob’s Creek Classic Chardonnay SE Australia Australia 2019 Gold
Bodega Estancia Mendoza Chardonnay Oak Uco Valley Argentina 2019 Bronze
£10-£15
te Pa Family Vineyards Montford Estate Marlborough New Zealand 2019 Gold
Finca Albret Albret El Alba Navarra Spain 2019 Gold
Cono Sur 20 Barrels Chardonnay Casablanca Valley Chile 2019 Gold
te Pa Family Vineyards Pa Road Marlborough New Zealand 2019 Gold
L’Ecole No 41 Chardonnay Walla Walla Valley United States 2019 Gold
Doña Paula Winery Doña Paula Estate Chardonnay Uco Valley Argentina 2018 Silver
Marisco Vineyards The Ned Chardonnay Marlborough New Zealand 2019 Silver
Wakefield/Taylors Wines Wakefield Taylors Chardonnay Clare Valley/Padthaway Australia 2019 Silver
Glen Carlou Vineyards Glen Carlou Chardonnay Paarl-Simonsberg South Africa 2019 Silver
Jacob’s Creek Double Barrel Chardonnay Barossa Valley Australia 2019 Silver
Three Thieves Three Thieves Chardonnay California USA 2017 Silver
McGuigan Cellar Select Chardonnay Tumbarumba Australia 2019 Silver
Santa Rita Medalla Real Gran Reserva Chardonnay Limarí Valley Chile 2020 Silver
Cavit Bottega Vinai Chardonnay Trentino DOC Trentino Alto Adige Italy 2019 Bronze
Terrazas De Los Andes Terrazas de los Andes Reserva Chardonnay Uco Valley Argentina 2019 Bronze
Nepenthe Altitude Chardonnay Adelaide Hills Australia 2018 Bronze
£15-£20
te Pa Family Vineyards te Pa Chardonnay Marlborough New Zealand 2019 Gold
Santolin Wines Santolin Family Reserve Chardonnay Yarra Valley Australia 2019 Gold
Marisco Vineyards The King’s Legacy Chardonnay Marlborough New Zealand 2019 Gold
Domaine La Louviere La Souveraine Languedoc France 2019 Gold
Napa Cellars Napa Cellars Chardonnay California USA 2018 Gold
Bird in Hand Two in the Bush Chardonnay South Australia Australia 2019 Silver
Cavit Maso Toresella Chardonnay Trentino DOC Trentino Alto Adige Italy 2017 Silver
Matahiwi Estate Holly by Matahiwi Estate Chardonnay Hawke’s Bay New Zealand 2019 Silver
Matahiwi Estate Holly South Series Chardonnay Wairarapa New Zealand 2019 Silver
Marisco Vineyards Leefield Station Chardonnay Marlborough New Zealand 2019 Silver
Viña Luis Felipe Edwards Marea Chardonnay Leyda Valley Chile 2020 Silver
Kendall-Jackson Wine Estates Vintner’s Reserve Chardonnay California USA 2018 Silver
Vignobles Bonfils Domaine de Cibadiès – Le Jardin Languedoc Roussillon France 2019 Silver
The Lane Vineyard The Lane Beginning Chardonnay Adelaide Hills Australia 2019 Silver
McGuigan McGuigan Shortlist Chardonnay Adelaide Hills Australia 2018 Silver
Nepenthe Pinnacle Ithaca Chardonnay Adelaide Hills Australia 2018 Silver
Tempus Two Tempus Two Copper Chardonnay Hunter Valley Australia 2019 Silver
Bouchard Finlayson Kaaimansgat Crocodile’s Lair Chardonnay Walker Bay South Africa 2018 Bronze
Viña Aresti Trisquel Series – Vichuquén Curicó Valley Chile 2019 Bronze
Bodega Los Helechos Los Helechos Chardonnay Uco Valley Argentina 2019 Bronze
Viñedos Emiliana Signos de Origen La Vinilla Casablanca Valley Chile 2019 Bronze
Joel Gott Joel Gott California Chardonnay California USA 2018 Bronze
Tempus Two Tempus Two Copper Chardonnay Hunter Valley Australia 2018 Bronze
£20-£30
Tempus Two Tempus Two Pewter Chardonnay Hunter Valley Australia 2018 Master
Bird in Hand Bird in Hand Chardonnay South Australia Australia 2019 Gold
Vasse Felix Premier Chardonnay Margaret River Australia 2018 Gold
Uva Mira Moutain Vineyards The Mira Chardonnay Stellenbosch South Africa 2018 Gold
Cambria Estate Winery Cambria Katherine’s Chardonnay California USA 2018 Gold
Alpha Estate Ecosystem Chardonnay Single Block Tramonto Florina Greece 2018 Gold
Vinicola San Lorenzo Gran Reserva Chardonnay Parras Valley Mexico 2019 Gold
La Crema La Crema Monterey Chardonnay Monterey USA 2018 Gold
Hahn Family Wines Hahn Chardonnay Monterey USA 2018 Gold
Chamlija Felix Culpa Strandja Mountains Turkey 2019 Gold
Wakefield/Taylors Wines Jaraman Chardonnay Clare Valley & Margaret River Australia 2019 Gold
Howard Park Kylie Minogue Chardonnay Margaret River Australia 2019 Gold
te Pa Family Vineyards te Pa Reserve St Leonards Chardonnay Marlborough New Zealand 2018 Silver
Wakefield/Taylors Wines St Andrews Chardonnay Clare Valley Australia 2019 Silver
Wakefield/Taylors Wines Taylor Made Chardonnay Adelaide Hills Australia 2019 Silver
Azienda Vinicola Castelfeder Chardonnay Riserva Burgum Novum Alto Adige Italy 2017 Silver
Miguel Torres Chile Cordillera Limarí Valley Chile 2019 Silver
Tempus Two Tempus Two Pewter Chardonnay Hunter Valley Australia 2017 Silver
Tempus Two Tempus Two Pewter Chardonnay Hunter Valley Australia 2019 Silver
McGuigan Personal Reserve HR Chardonnay Hunter Ridge Australia 2018 Silver
Santa Rita Santa Rita Floresta Chardonnay Limarí Valley Chile 2019 Silver
Bouchard Finlayson Missionvale Chardonnay Hemel-en-Aarde Valley South Africa 2018 Silver
Sur Andino Altaluvia Chardonnay Uco Valley Argentina 2019 Bronze
£30-£50
Bird in Hand Nest Egg Chardonnay South Australia Australia 2019 Gold
Marisco Vineyards Craft Series The Pioneer Chardonnay Marlborough New Zealand 2015 Gold
DAOU Family Estates DAOU Family Estates Reserve Chardonnay Willow Creek USA 2019 Gold
Penfolds Chardonnay Bin 311 SE Australia Australia 2019 Gold
Vasse Felix Heytesbury Chardonnay Margaret River Australia 2018 Silver
Masciarelli Chardonnay Colline Teatine IGT Marina Cvetic Abruzzo Italy 2018 Silver
Chamlija Thracian Strandja Mountains Turkey 2018 Silver
Hahn Family Wines Hahn SLH Chardonnay Santa Lucia Highlands USA 2018 Silver
Familia Torres Sons de Prades Conca de Barberà Spain 2018 Silver
Nals Margreid Baron Salvadori Chardonnay Riserva Alto Adige Italy 2017 Silver
Penfolds Reserve Bin Chardonnay SE Australia Australia 2019 Silver
Jean Leon Jean Leon Gigi Penedès Spain 2017 Bronze
£50+
Capensis Capensis Western Cape South Africa 2016 Master
Stonestreet Winery Stonestreet Estate Chardonnay Alexander Valley USA 2016 Master
Marimar Estate Marimar La Masia Chardonnay Green Valley USA 2017 Master
Kenwood Vineyards The Barn Chardonnay Sonoma County USA 2018 Master
Tapanappa Wines Tapanappa Tiers Vineyard Adelaide Hills Australia 2019 Gold
Bird in Hand Ted South Australia Australia 2018 Gold
Uva Mira Moutain Vineyards Uva Mira Chardonnay Stellenbosch South Africa 2018 Gold
Uva Mira Moutain Vineyards The Single Tree Chardonnay Stellenbosch South Africa 2018 Gold
Terrazas De Los Andes Terrazas de los Andes Grand Chardonnay Uco Valley Argentina 2019 Gold
Penfolds Yattarna Chardonnay SE Australia Australia 2018 Gold
Château La Grâce Dieu des Prieurs Elena Saint-Emilion France 2019 Gold
Gran Moraine Yamhill-Carlton Chardonnay Oregon USA 2016 Silver
Hahn Family Wines Lucienne Lone Oak Vineyard Chardonnay Santa Lucia Highlands USA 2018 Silver
Familia Torres Milmanda Conca de Barberà Spain 2017 Silver

About the competition

With high-quality judges and a unique sampling process, The Global Chardonnay Masters provides a chance for your wines to star, whether they hail from the great vineyards of Europe or lesser-known winemaking areas of the world.

The 2020 competition was held in December at 28-50 Wine Bar and Kitchen in Covent Garden, London, and was judged by David Round MW, Patricia Stefanowicz MW and Patrick Schmitt MW. The top wines were awarded Gold, Silver or Bronze medals according to their result, and those expressions that stood out as being outstanding in their field received the ultimate accolade – the title of Chardonnay Master. This report features the medal winners only.

Please visit The Global Masters website for more information, or, to enter future competitions – giving you the chance to feature online and in print – please call: +44 (0) 20 7803 2420 or email Sophie Raichura at: sophie@thedrinksbusiness.com

The judge’s view: Patricia Stefanowicz MW

“Sparkling Chardonnays are a wonderful way to approach the day. Though a minuscule group this year, and all expensive, the wines are glorious, demonstrating that traditional method sparkling wines made exclusively from Chardonnay are both exhilarating and worthy of attention. With bright flavours, lively acidity and textured mousse, these wines are, quite frankly, a wine lover’s delight.

The unoaked Chardonnays under £10 represent good everyday drinking. A notable surprise is the consistency and ‘quaffing ability’ of the Romanian wines. Chile’s delightful entry-level offering should also not be overlooked.

At higher price brackets there are some good, even very good, examples. Above £20, however, one has to ask, ‘Why so expensive?’ One supposes that low yields, selection in the vineyard (or winery) and careful production methods are the rationale, but producing unoaked Chardonnay is actually not that difficult in most regions around the world.

Oaked Chardonnays are what consumers normally expect, and there is much available to quench one’s thirst below £15. Silver and Gold awards abound with plenty of juicy orchard fruits, lively acidity and nicely judged oak balanced beautifully.

The group at £15-20 are far more variable. There are some lovely gems with yellow plums or peaches, zippy acidity and nicely integrated oak, but there are also wines which are ‘a disappointment.’ Sometimes, it seems, the wines are simply ‘trying too hard.’

As anticipated, oaked wines at £20-30 are a significant step up, showing layers of flavours, nicely defined fruit, and zesty acidity with nuances of nuts and spices from the judicious use of oak. Australia and California perform particularly well, but there are a few hidden treasures from South Africa, Chile, Turkey and Greece. Yum, yum!

And then we find the ‘mother-load’. Oaked wines above £30 are, quite simply, sensational. There are so many wines worthy of ‘diamond-status.’ While exhibiting orchard fruit flavours and smoky-toasty-vanilla oak in abundance, these wines have great freshness of gently citrus acidity, creamy texture across the palate, and incredible layers of aromatics and flavours that linger on the finish practically forever. The ‘stars’ are New World wines from the likes of Australia, California, Oregon and South Africa with a few surprises: delicious wines from Chile, Turkey and Spain.

If there were a slightly disturbing aspect to the Chardonnay Masters this year, it may be that there were very few European wines, especially at the top levels. So, one might wonder whether a reconstruction of the ‘Judgment of Paris’ might, yet again, be in order?

In conclusion, judging these wines is always a delight and a privilege with so many ‘practically perfect in every way’ wines on offer.”

The Global Riesling Masters: the results in full

We bring you a full report on this year’s Global Riesling Masters, including all the medallists from the tasting, which took in Rieslings from Alsace to Kamptal, Rheingau to Washington State, and a couple of wines from Kazakhstan.

Mention the word Riesling to mainstream wine drinker and then a trade professional, and the response will be markedly different. In the eyes of the former, the grape signals something sweet and perhaps cheap. As for the latter, Riesling is the noble source of fine whites with high acidity. It’s a divide that is also getting greater, as it seems that the Rieslings being made today are getting drier, fresher and pricier, although the bargain off-dry end of the offer is gradually disappearing – and it’s probably being replaced by Prosecco.

While the reduction in entry-level Riesling may be good for the grape’s image, crafting a delicious bone dry wine from Riesling is far from easy. As a result, if there was a single criticism of the wines in this year’s Riesling Masters, it concerned the level of acidity in the dry wines. For the most part, the wines were delicious, with fresh citrus fruit flavours that made one’s mouth salivate like licking just-sliced lime, but occasionally, the finish was so intensely acidic, it left a hardness that made even our Riesling-loving panel of judges wince.

In the same way that Chardonnay makers moved to something austere in an attempt to distance themselves from a previous paradigm of fat, buttery whites, I wonder if some Riesling producers are going to an extreme form of dryness to provide a contrast to something sweet, and possibly too saccharine, that was made by – and for – an older generation.

Another reason why acidities may be too intense in some samples concerns an urge to minimise the ‘kerosene’ character in young dry Riesling. Hailing from the presence of TDN (1,1,6-trimethyl-1,2- dihydronaphthalene), which is believed to form in warmer areas and from high sunlight exposure, it could be the case that producers are harvesting grapes earlier, or allowing canopies to shade the bunches more, to reduce the incidence of the aroma compound. Such an approach would result in less ripe grapes, so, while the kerosene character is diminished, the resulting wine, if fermented to dryness, will have a marked acidity.

Personally I would prefer a dry Riesling with some kerosene aromas and a softer acidity, than a pure lime-scented white with a hard finish. And our judges felt similarly.

So, if there is a message to the producers of dry Riesling, please pursue a softer style of wine, even if it means a touch more TDN.

As for the great Rieslings in our tasting, whatever the sugar level, they combined the grape’s intense citrus freshness, often with a slightly chalky sensation on the finish, and riper characters from beeswax to peach, along with a hint of white flowers. Such examples displayed cleansing, if not sharp acidity, and a touch of TDN, like a whiff of burnt rubber or spilt petrol. Like all great wines, the key is the balance of the components, which should complement each other.

In terms of the sources of the highest-scoring Rieslings in this year’s competition, the range was broad, with Alsace, Austria, Germany, Australia, Washington State and Canada picking up the top medals. Among the outstanding dry wines were a Grand Cru Riesling from Schlumberger and a ‘Museum Release’ from Australia’s Howard Park, while we were wowed by the top wines form Austria’s Schloss Gobelsburg.

In the medium-dry category it was Schloss Sconborn’s top Rheingau expression that took home the only Gold of the flight, with further Golds then awarded to sweeter wines, including a Spatlese from the same producer, and another to a further Rheingau winery, with August Eser also gaining a Gold-medal score.

Our tasting ended on an intensely sweet high, with a Canadian ice wine from Peller Estates named a Riesling Master for its combination of remarkable raisined richness, lemon curd-like characters and freshly sliced green apple acidity.

Indeed, having started the tasting by sampling the fine chalky fizz of top German Sekt and ended with the viscous deliciousness of a Canadian Riesling made from frozen grapes, we were reminded just how versatile this single grape is. Indeed, such is the diverse nature of Riesling, it would be a great shame for the grape to remain famous for just one style of wine. The challenge of course comes with telling the consumer exactly what they can expect from their chosen Riesling. And for that to be overcome, an accurate tasting note on the bottle or wine list is vital.

Over the following pages you can see all the medallists from this year’s competition, as well as comments from the judges (who are pictured below), and more information about the Global Riesling Masters, including how to enter.

The judges (left to right): Michelle Cherutti-Kowal MW; Patrick Schmitt MW; Jonathan Pedley MW; David Round MW

Chardonnay Masters 2019: the results in full

We bring you a full report on the Chardonnay Masters 2019, including all the medallists, the names to watch, and the go-to regions for great barrel-fermented whites – Burgundy included, but Australia-dominated. Co-chair of the judges, Patrick Schmitt MW, reports

There are several benefits to the blind tasting format employed by our Global Wine Masters, which sees us sample entries by style and grape variety, rather than origin. One of these is to assess the overall quality and character of a category, be that a noble grape such as Chardonnay, or trending sector, from sparkling to rosé. Another is to isolate the great names and domains in the sector, including the best value producers along with those star, if sometimes pricy, performers. A further highly important element to our approach is to find out the hot spots for the type of wine being tasted. And, over the years, the Global Masters has drawn attention to a number of such areas, such as the excellence of pink wines from the Tuscan coast, the brilliance of Sauvignon from Styria, or Pinot Gris from Slovenia, while highlighting the rising quality of sparkling wines from Kent and Sussex, as well as the outstanding value of traditional method fizz from the Loire. There are many more that could be mentioned, such as the reliability of Clare Valley as the source of deliciously intense bone dry Riesling that doesn’t break the bank, or the brilliance of Cabernet Sauvignons from Sonoma, which tend to be a touch fresher, and a whole lot cheaper than the equivalents from neighbouring Napa.

Some of the greatest revelations have come from our Chardonnay tastings, which we’ve held annually since 2013. While such a competition has yielded so much discussion around winemaking techniques, such as the direct influence on style of picking dates, lees management, barrel regimes etc, we have devoted fewer words to the connection between place and quality, and so it’s this aspect to our results that I’m choosing to focus on this year, with a nod to past medallists from this major tasting.

And… if I am to pick out one overwhelming positive origin-based conclusion from these tastings, it is the excellence of Chardonnay from Australia, particularly Hunter and Yarra Valleys, along with Clare/Barossa, and Margaret River in the west of the country. The standout, however, has been the Adelaide Hills. I note this with a pang of sadness, aware that as much as one third of this area’s vineyards have been destroyed by the savage bushfires that swept through this beautiful area just before Christmas.

Over the years, we’ve seen Adelaide Hills deliver not just Australia’s top Chardonnays, but, relative to the global competition in the same price category, the best examples on the planet. As proof of the area’s excellence, in this year’s tasting, three of our six ‘Chardonnay Masters’ were from the Adelaide Hills (with a fourth also hailing from Australia). Examples from Penfolds using Adelaide Hills fruit have wowed in the past, but the most consistent wonders have hailed from Australian Vintage with Nepenthe, Tapanappa, with its Tiers vineyard in particular, and Bird in Hand with its Chardonnays at all levels. Indeed, after years of blind-tasting Chardonnay from around the world, I can say with confidence that a go-to place for fine, barrel-influenced Chardonnay is the Adelaide Hills, and bearing in mind the recent devastation of the region, I urge you to secure some stock from the great names mentioned above, both to benefit the region, but also yourself – prices are likely to go up.

I should also mention the other Australian Master in the 2019 tasting, which went to Clare Valley’s Taylor/Wakefield Wines. This producer, named after the Taylor family in Australia, but called Wakefield Wines abroad (due to trademark laws on the ‘Taylor’s’ brand from the Port producer by the same name), has been a big hitter with its Chardonnays in many of our tastings, but also with its Rieslings, Shirazes and Cabernets in our competitions for each one of these varieties. In short, I have been repeatedly impressed by the quality of their output.

Global Malbec Masters 2019: the results in full

All the medallists and extensive analysis from the latest Malbec-only tasting from the Global Masters, featuring the best samples from Argentina and Chile, and a surprising discovery from Spain.

The entries were judged on 7 November in The London Marriott Hotel, County Hall

The Malbec revival may be a recent phenomenon, but this single grape has already been through several phases. In fact, during the course of this century alone, it has swung to stylistic extremes, before settling into a happy medium, meaning that the development of Malbec has many similarities to Chardonnay’s changing character over the same period.

What’s the basis for such a statement? It’s an opinion formed from many years of Global Masters tastings for both grapes – and you can read more about Chardonnay’s style today on pages 68-73. As for Malbec, there was a point in the past decade when it seemed that being bigger was definitely better. This applied to fruit sugars, new oak percentages, alcohol levels and, it should be noted, bottle weights too. The result was something heavy in every sense, as well as deeply red, powerfully flavoured, tannic, sometimes slightly raisined, and definitely sweet to taste, mainly due to the amount of vanillin extracted from the brand new barrels. Like it or not, one couldn’t fail to remember it, and Malbec on a label became a shorthand for juicy, rich red wine. Ally that style to marbled steak, and you had a highly successful partnership that catapulted Malbec on to the global stage, but particularly in major wine-importing markets where red meat is consumed widely – so the UK and US.

As for the source of such a memorable wine style, that was Argentina, specifically Mendoza, and its sub-region Luján de Cuyo. This warm region on the outskirts of the city of Mendoza, home to the country’s oldest plantings of Malbec, was ideally suited to producing concentrated reds.

However, with time, the style and sourcing of Malbec changed. Indeed, a few years ago, our Global Malbec Masters was seeing a new type of Argentine red. This was a lighter style, sometimes with peppery flavours similar to Syrah from the Northern Rhône, or a hint of celery and spicy salad leaves, like rocket, suggestive of fruit that hadn’t reached full ripeness. This was partly a result of cooler Argentine climes, primarily a widespread move into the high-altitude Uco Valley, and partly due to the winemaker, who was intent on finding a fresher, tighter, sharper style of Malbec by picking earlier. A less structured red was also evident, achieved by reducing the influence of barriques and handling the grapes in a gentler manner during fermentations – less pumping and pushing of the must will lower the tannin extraction.

The shift in our tastings notes was marked. While common descriptors had included ripe, fleshy black fruit, creamy coconut, dense tannins, warming alcohols, and glass-staining colours only a few years ago, a scan over the judges’ tasting notes more recently would see words appearing regularly such as red cherry and plum, medium-weight, green pepper, and celery leaf. In a fairly short period of time the Argentine Malbec style had shifted from forceful red to restrained wine, and division among the judges was evident as some welcomed the brighter style, others saw the more herbaceous elements as a weakness.

So what about now? Following a day spent tasting mostly Argentine Malbecs from a range of sources within this country, and across all price bands, it appears that this grape has found a middle-ground. Yes extremes in style are still evident, but for the most part, the Malbec making its way on to the market today has ripe, juicy red fruit, firm tannins, a touch of toasty oak, and a pleasant hint of spice. It is neither too sweet, nor too lean. And it is identifiably Malbec, with its deep colour, and firm structure.

From my own perspective, I’m pleased to see Malbec has found a sweet-spot. Although I could understand the urge to experiment with a light, even slightly green style of wine, there are plenty of reds that deliver such delicacy, particularly with the fast-development of cooler-climate Syrahs from the New World. In my view, Malbec’s strength, particularly when sourced from Argentina, is its ability to create a concentrated, structured red, and one that can happily carry high-toast new oak. It is also this type of wine that made Malbec identifiable, and successful. In the same way that most consumers won’t choose a Chardonnay when they want a delicate white, few would opt for a Malbec when they desire a light red.

As for backing away from extremes in ripeness and oak-influence, that is a healthy evolution for the top end examples, where it would be a shame to lose the fresh fruit flavours from high quality grapes, either by leaving the bunches on the vine so long that the inherent berry characters get baked, or through burying their appeal beneath a wave of barrel-sourced scents and tannins.

With such an extended stylistic analysis concluded, what were the sources of Malbec greatness in our 2019 tasting? While this tasting was primarily a health-check on the state of the grape in Argentina, there were some other countries that surprised the tasters for the quality of their Malbec. With the grape’s popularity assured, more places have been trying their hand with Malbec, while its native home, Cahors in South West France, has seen producers work to create a richer style of red from the grape – one that’s more in line with the character achieved with ease in Argentina. By way of example, last year’s Malbec Master was from Château Lagrezette – a historic Cahors property with Michel Rolland as consultant. But this year, although not a Master, the judges were amazed to find a Malbec from Spain rubbing shoulders with respected Argentine names from Norton to Colomé and Salentein. Gaining a Gold in the £20-£30 price band was Bodegas Clunia in Castilla y León, which had crafted a ripe, dense, toasty, juicy and structured red to rival the finest in South America. It was also the highest scoring sample from outside Argentina.

As for those that weren’t from this Latin nation, there were some good Malbecs from Chile – with medals awarded to Viñedos Puertas, Via Wines, Viña Indomita, Concha y Toro, Viña Cremashi, Viu Manent, Viña San Esteban and Morandé. There was also a delicious example from Wakefield Estate in Australia’s Clare Valley, which picked up a Silver, as did, much to the surprise of the judges, an example from Burgenland in Austria, made by Kraft aus Rust, and loaded with plum and cherry fruit, along with a peppery spice, not unlike the wines from this nation’s flagship red grape, Blaufränkisch.

Within Argentina, it was notable to see the breadth of Malbec styles, with this year, the competition’s first ever white Malbec – a fascinating arrival to the category with an oily texture, and peachy fruit.

Among the Malbec Masters for 2019, it was impressive to see Bodega Aleanna pick up this ultimate accolade for its El Enemigo Malbec sub £20, with the rest of this year’s Masters all awarded to wines over this price point, and mostly over £30.

The tasting proved a particular endorsement for the quality of Malbecs being made by Bodega Norton, but also Colomé, Atamisque and Salentein, along with Trapiche and Doña Paula. Interestingly, the latter two producers, who specialise in isolating special sites and bottling single vineyard Malbecs, gained strong Golds for their expressive wines. However, the Masters went to Malbecs that blended grapes from across a broader area, lending the wines a touch more complexity perhaps?

Having said that, among such stars of the day, was the single vineyard biodynamic Alpamanta Estate, which wowed for its fleshy cherry and blackberry frut, as well as tobacco and chocolate notes.

Another Master was awarded to Fincas Patagonicas, whose Black Tears Malbec is soft, dense and just plain delicious. While for me, the ultimate expression of the day turned out to be the famous Catena Zapata Malbec Argentino. The wine, which hailed from the 2017 vintage, was very much in its youth, with masses of taught tannins, but also intense pure blue, red and black berry fruit, and lingering characters of roasted coffee, pepper and plums. Certainly a great Malbec, but also a fine wine that’s capable of standing alongside the most celebrated reds of the world.

Over the following pages you can see all the medallists from this year’s competition, as well as comments from the judges (who are pictured below), and more information about the Global Sparkling Masters, including how to enter.

The judges (left to right): Patrick Schmitt MW, Patricia Stefanowicz MW, Andrea Bricarello, Jonathan Pedley MW, Michelle Cherutti-Kowal MW, David Round MW

Results: Chardonnay Masters – Asia 2019

Chardonnay has remained a staple favourite in Asia, enjoyed by the glass and bottle in bars and restaurants and its popularity shows no sign of abating despite New World Sauvignon Blancs gaining traction and with sommeliers increasingly selecting lesser-known varieties to spice up their lists.

The eight judges for the drinks business Hong Kong’s Chardonnay Masters – Asia 2019 were split into two panels. One was led by Master Sommelier Darius Allyn, co-chair of the event, the other, by myself.

In the Unoaked Under HK$200 category Allyn thought South African De Wetshof Estate’s Bronze Medal-winning Limestone Hill 2018 was a fresh entry-level wine “with citrus and creaminess, with some intenseness and a soft and round pleasing style”. Of the Bon Vallon 2018, a Silver medallist from the same producer, Allyn said it had, “more aromatics, higher acidity, and clarity of fruit – I wish it had a little more on the finish”. On the same panel, Ken Man, buyer and fine wine specialist at Ginsberg+Chan said Bon Vallon had, “a decent amount of fruit, a decent wine for that pricing.”

Cavit’s Italian Mastri Vernacoli Chardonnay Trentino DOC 2018 (Silver medal) struck a chord with David Jones, senior account manager at Berry Bros & Rudd: “It built on the palate, with nice balance,” he said. Of Helan Mountain Premium Collection Fruity Chardonnay Wine 2017 (Bronze medal) from Pernod Ricard (Ningxia) Winemakers, Anty Fung, wine pecialist and manager of Hip Cellar, said: “Red apples and green apples and its soil character adds to an interesting balance.”

In the ‘Oaked Under HK$100’ flight, wine columnist Sarah Wong said of Marisco Vineyards’ Leefield Station Chardonnay 2017 (Bronze medal) from New Zealand: “I found citrus on the nose, it was a light and elegant in style, with good balance and finish.”

‘The Ned Chardonnay 2017’, also from Marisco Vineyards was favoured by Jeremy Stockman, general manager at Watsons Wine, who said, “it was a lighter style – crisp, vibrant, with grapefruit and I liked the touch of matchstick from the wood”.

Also taken with this wine was Terry Wong, retail manager and sommelier at Ginsberg+Chan: “There were melon and apple notes and minerality – it seemed good value at this price,” he noted. It bagged a Silver medal.

In the ‘Oaked HK$100-150’ category, of the De Bortoli Wines’ Villages Chardonnay 2017 from Australia, Jones noted its intensity, and said it was in balance.

Again from De Bortoli Wines, The Estate Vineyard Chardonnay 2017 Allyn found more aromatic and intense. Fung said it was more extracted as well as lightly spicy. Both wines took Bronze medals.

In my panel, Bronze-winner Australian Vintage’s McGuigan Cellar Select Chardonnay 2017 drew praise from Sarah Wong, who said: “It slowly opened up, it was creamy with a buttery fairly long finish and was elegant.” Stockman most liked the Distell Fleur du Cap Series Privee Chardonnay from South Africa, which also picked up a Bronze; “its notes are on the bigger side with peach and melon rind in there, and a long finish with texture, which in this bracket worked very well,” he said. Terry Wong and myself were quite taken with Australian Vintage’s Silver-Medal Tempus Two Copper Wilde Chardonnay 2015: we both noted its citric and tropical fruit, with good length.

Onto the ‘Oaked HK$150-200’ category, where jones remarked on the “energy” and “lift” of Treasury Wine Estates’ Penfolds Max’s Chardonnay 2017. Allyn liked the “lifted aromatics” of this wine. Alynn’s panel all liked the McGuigan Shortlist Chardonnay 2017 from Australian Vintage – “it shows a lot of purity, structure and balance,” he said. Both wines took Silver medals, as did Distell’s Plaisir De Merle Chardonnay 2018.

Greywacke Chardonnay 2010 from New Zealand picked up a Gold Medal in the ‘Oaked HK$200-300’ flight. Sarah Wong commented: “It had structure, it was powerful and balanced, with struck matchstick and good intensity of fruit on the palate and a very long finish.” Stockman was keen on Vasse Felix Felius 2017 and Voyager Estate Chardonnay 2016 as well, both from Australia, and both of which won Silver medals. “They both had quite subtle complexity, with length on the finish. And I agree with Sarah on the [Greywacke Chardonnay], which I gave 91 points to; big in all aspects, so it remains very balanced.”

Terry Wong and myself were also fond of this robust balance – with him commenting it was made in a Burgundy style, with lots of minerality showing through. Terry Wong was also keen on Australian Vintage’s McGuigan Personal Reserve HR Chardonnay 2018 (Silver Medal), saying it had good length and acidity, with grapefruit and peach notes.

In the penultimate flight, Jones was drawn to Wakefield/ Taylors Wines’ ‘One Giant Leap 2017’, from Australia, which won a Silver. “Good intensity and good richness but balanced,” he opined, “but with some freshness to it.”

Man’s top wine from this grouping was La Motte Wine Estate’s ‘La Motte Chardonnay 2017’ – it took a Silver; “lovely citrus fruits, very good acidity, and very nice balance and finish,” he said. This was also Allyn’s flight-favourite – which he said was quite delicate, and he found One Giant Leap the most complex aromatically. Fang most preferred Wakefield/ Taylors Wines’ Jaraman Chardonnay 2019, a Bronze medallist. “It shows clarity, and fine citric fruit character with oak that’s not overpowering the fruit,” she said.

The judging concluded with wines above HK$500. The star of this group was Gold Medal-winning Vasse Felix Heytesbury Chardonnay 2017. My panel was unanimous on its notable high points. “It was elegant, tight, had good acidity, very restrained good fruit and a very long finish,” said Sarah Wong, who could have been speaking for us all.

“I thought the oak was extremely well handled,” added Stockman, “there was a nice cashew note to it and it was very well balanced with serious layers to it. It’s also still very tight and will improve with age.” Besides this wine, Terry Wong also praised Wakefield/ Taylors Wines’ St Andrews Chardonnay 2017, on its hints of “guava, lime and jasmine, with good acidity.”

Overall, with two Gold Medals awarded, 18 Silvers and 36 Bronzes at the end of the day, many at the long tasting table were looking forward to seeing more of these wines in the market.

Full results can be found on the following page.

Asian Chardonnay Masters 2017: Results

Chardonnay, a grape variety that has mushroomed out from its spiritual home in Burgundy to practically every wine-producing country in the world, proved that with the right terroir and skills of its winemakers, it can produce thrilling, savoury and age-worthy expressions as found in our Asian Chardonnay Masters competition.

The judges (from left to right): Jeremy Stockman, general manager of Watson’s Wine, Hong Kong, Yvonne Cheung, director of Wine for Swire Hotels and Restaurants, James Rowell, corporate and VIP sales manager of Altaya Wines, Francesca Martin, founder & director of BEE Drinks Global, Ying-Hsien Tan MW, founder & owner of Singapore-based Taberna Wine Academy, Ivy Ng, publisher of the Drinks Business Hong Kong, Eddie McDougall, trained winemaker and founder of The Flying Winemaker and Yang Lu, corporate/group wine director of Shangri-La Hotels and Resorts

A relatively neutral grape, Chardonnay is an ideal translator of local terroir and winemaking craft, thanks to its malleability through malolactic fermentation, lees contact and barrel ageing. The grape’s versatility has made it a favourite among wine producers. Despite soil types and climate, it’s one of the most widely planted white grape varieties in the world with more than 400,000 acres worldwide; as seen in our competition entries that encompassed Chardonnays from obscure regions such as China’s northwestern Xinjiang, Israel’s Judean Hills and South Africa’s Western Cape to more established sites in Champagne and Burgundy, Chile’s Casablanca Valley, northern and central Italy, and all the way to Australia’s Adelaide Hills and New Zealand’s Hawke’s Bay.

Close to 80 samples were submitted by wineries and importers for our Asian Chardonnay Masters held on 26 April at Hong Kong’s swanky HIP Cellar. The competition is the second instalment following our successful Asian Cabernet Sauvignon Masters in March. The samples were tasted blind and assessed over the course of one day by price bracket and stylistic difference (still or sparkling and within the still category, oaked or unoaked) to identify the best of Chardonnay in their own price range in the local market.

The results are encouraging as a cherry-picked panel of eight judges including a master of wine, top wine buyers/directors and trained winemaker gave out seven Masters, 15 Gold medals, 27 Silvers and 19 Bronzes. The wines are scored out of 100 points with the ones gaining 95 points or above being awarded the top accolade of Master. Wines scored higher than 90 points were given a Gold medal, those over 85 points a Silver medal and those over 80 points a Bronze.

“I think the overall quality is very good. When I say overall quality, we try to judge them in the context of price bracket. Some of the wines may be simpler or more obvious, and perhaps not designed for long ageing but they are well made in that context, and are good quality,” commented Ying-Hsien Tan MW, founder of Singapore-based Taberna Wine Academy, who was one of the Panel Chairs.

Eddie McDougall, wine critic and ‘The Flying Winemaker’, agreed addeing: “The class of all the wines showed a good spread of stylistic expressions of Chardonnay. There were some very good examples of wines at approachable price points, which goes to show that quality Chardonnay doesn’t need a hefty price tag.”

In addition, Yang Lu, corporate/group wine director of Shangri-la Hotels and Resorts, noted a good representation of entries from almost all major wine regions. “I think different winemaking styles and philosophies are well represented in the competition as it covers all styles and wine regions as well different levels of quality,” he ssaid.

For James Rowell, corporate and VIP sales manager of one of Hong Kong’s leading wine importers, Altaya Wines, tasting a diverse range of Chardonnays is a revelation. “For someone who doesn’t have the opportunity to taste or drink a lot of New World wines, it’s very interesting to see what’s currently out in the market at different price points because some styles have changed and evolved,” he explained.

The Judges

Ying-Hsien Tan MW, Founder & Owner, Taberna Wine Academy, Singapore
Yvonne Cheung, Director of Wine, Swire Hotels and Restaurants
Yang Lu, Corporate/Group Wine Director, Shangri-La Hotels and Resorts
Francesca Martin, Founder & Director, BEE Drinks Global
Eddie McDougall, Founder, The Flying Winemaker
James Rowell, Corporate and VIP Sales Manager, Altaya Wines
Jeremy Stockman, General Manager, Watson’s Wines, Hong Kong
Ivy Ng, Publisher, the drinks business Hong Kong 

Burgundian in style  

Different from aromatic grapes such as Riesling or Gewürztraminer, Chardonnay is easier to cultivate and responds well to a wider range of winemaking techniques. Given its chameleon-like nature, it takes on a wide spectrum of aromas from green apple and tomato leaf to tropical fruits, peaches, cream and vanilla. The grape variety has undergone some stylistic changes from rich, buttery, full bodied wines, favoured in the 1990s to today’s trendier, crisp and less-oak dominated expressions. Burgundy is still held in high regard as the reference point for Chardonnay, but fine examples from the New World can rival if not surpass top Burgundy wines in quality and style.

“I think the biggest surprise for me was the fact that a couple of  the wines that seemed to be particularly Burgundian in style that is very restrained yet with finesse and complexity, but to my surprise they were not. So that was an interesting discovery for me,” commented Tan.

This is a sentiment echoed by Francesca Martin, founder of Bee Drinks and a Master of Wine candidate, as well. “There were certainly more New World wines in our line-up than Burgundy, however, many of these were of very high quality and a couple I would have put money on being from top villages in the Côte d’Or,” commented the Hong Kong-based wine consultant.

The Elephant Hill Chardonnay from New Zealand’s Hawke’s Bay, which was awarded a Master title, stumped a few judges and led them to believe it was a Chassagne-Montrachet before its identity was revealed after the competition.

Meanwhile, a Tapanappa Tiers Vineyard Chardonnay 2015, another Master winning wine, was believed to have measured up to many Côte d’Or classic examples, Martin added noting that, “it was a lovely wine combining wonderful ripeness of fruit with a taut, linear structure” without sacrificing its own style to emulate Burgundy.

Elaborating on the ever-blurring line between Burgundians and top New World Chardonnays, Tan explained: “Chardonnay is a very competitive grape variety that producers around the world are now really getting the hang of understanding how the grape variety works in that particular region or environment and producing very good quality wines.

“Now it’s getting harder and harder to tell Burgundian wines apart from a premium New World wine. So that was a nice surprise for me, not actually a surprise but more a pleasant growing realisation that how well these non-European regions can compete not just in quality but in style with some top Burgundian wines.”

Chardonnay from Australia’s cooler climate in Adelaide Hills or even a South African Chardonnay Capensis by Jackson Family Wines impressed judges with their winemaking precision, proving South Africa’s massive potential. The latter was awarded a Gold medal.

Nonetheless, Burgundy’s Domaine Servin Chablis Premier Cru Butteaux 2015 proudly showcased unoaked pristine Burgundian quality and nabbed a Gold. And a few old guards from Europe including: a Laroche Mas La Chevalière Vignoble Peyroli 2014 from the Languedoc, Champagne Nicolas Feuillatte’s Brut Blanc de Blancs 208 and Italy’s Mezzacorona Chardonnay Vigneti delle Dolomiti 2016 from Trentino-Alto Aldige and Monteverro Chardonnay 2013 from Tuscany all stunned and took home Gold medals.

Australia Setting the New World Benchmark

Among all the New World competitors, Australia by far stood out for the consistency of its Chardonnay quality and its value for money, bagging six out of the seven much coveted Master titles and seven Gold medals.

The country’s Chardonnay mania is such that today it’s hard to think of Australian wines without Chardonnay. The grape is now responsible for half of the country’s white wine production with 406,000 tonnes crushed in 2016 out of a total of around 808,000 tonnes, according to Wine Australia.

From Hunter Valley to cooler region such as Adelaide Hills, Yarra Valley and Tasmania to warmer regions in Margaret River, the country provides a contrast of styles between the leaner, crisp style found in Adelaide Hills and riper, richer style in Margaret River.

Moving to price brackets, as most judges noted in the competition medium priced Chardonnays under HK$400 (US$51) outperformed many heftily priced bottles. The finding is especially uplifting as most of them, fine examples of New World Chardonnay as we discovered in the competition, can give Burgundy a run for its money especially when prices for top Burgundy wines seem to be going nowhere but up.

Within the price band of under HK$400 (US$51), five Masters were given out to high performers from Australia. They were: Bird in Hand Nest Egg Chardonnay 2015 from Adelaide Hills, Alkoomi Black Label Chardonnay 2016 from Frankland River, Voyager Estate Chardonnay 2013 from Margaret River, and McGuigan The Shortlist Chardonnay 2015 from Adelaide Hills and Cape Mentelle Chardonnay 2015 from Margaret River, with the latter two from an even more modest sub-price bracket of HK$150 (US$20) to HK$300 (US$39).

“It was great to taste such a range and in our group we found that wines in the medium to premium range that wines are consistently showing technical precision and also a level of expression,” stated Yvonne Cheung, director of wine for Swire Hotels and Restaurants.

Moving up to higher price bracket between HK$400 (US$51) and HK$799 (US$102), Tapanappa Tiers Vineyard Chardonnay from Piccadilly Valley and Elephant Hill from New Zealand received the top honour of Master. A Japanese Chardonnay from Suntory winery’s Tomi No Oka in Yamanashi near Mount Fuji set high standards for its Asian peers and nabbed a Gold medal for its “very restrained, savoury, elegant and balanced” style as the judges noted. The wine, however, bears the most hefty price tag, selling more than HK$800 in retail.

Chardonnay, a winemaker’s wine

Ying-Hsien Tan MW, founder & owner of Singapore-based Taberna Wine Academy

It’s worth noting that nearly all wines in the competition went home with a medal, which speaks loudly for the quality of Chardonnay found in the tasting. “I thought generally oak was very well integrated on the majority of the wines, adding subtle notes of toasty spice, rather than lots of overt vanilla. Lactic notes from malolactic fermentation, if apparent, were likewise well integrated and didn’t dominate on many of the wines. I feel that lees ageing and stirring are now having more of an impact on style and seemingly something producers are playing around with and paying more attention to. What I love about Chardonnay is the fact that it’s such a winemaker’s wine that the stylistic possibilities are seemingly endless. I very much felt during the tasting that there really is a style of Chardonnay for everyone,” commented Martin when asked about winemaking in Chardonnay.

Indeed, McDougall, a trained winemaker, believed that compared with other white grape varieties, winemakers are given more latitude to put their own stamp on the wine. “I believe that winemakers are far smarter when it comes to the selection of oak treatment in the wines. Across the board there was a lot more balance shown than my initial expectation. The stand-out examples really came about when the wines showed honesty in its fruit profile and a complex under-layering of either lees contact, barrel fermentation or the positive traits of sulfide development from wild yeast fermentation,” he added.

Likewise, the ones that disappointed, though small in number, were the ones that lacked balance between oak and fruit or had an overly elevated level of dimethyl sulfide, which according to him, showed traits of creamed corn.

Reduction, a winemaking technique that contrasts with oxidation, was mentioned by a few judges during tasting. When applied correctly, it adds to a wine’s complexity and flavour, otherwise, it can upset a wine’s balance and flavour profile.

“Reduction was certainly a dimension for a number of the wines with a few having a bit too much to be pleasant. This was only overdone on a couple of the wines however, many others displaying just a subtle touch of struck match character that I personally really enjoy. As with any of these things it’s all a question of balance. Reduction can certainly add an element of complexity, I believe, but in excess it becomes a fault and deters from the overall attractiveness of the wine, masking fruit and making the wine rather hard and harsh. Overall with this particular lineup I felt winemakers clearly had a good handle on where the balance lay,” Martin explained in detail.

Adding to the discussion, Jeremy Stockman, general manager of Hong Kong’s top wine retailer Watson’s Wine, delved deeper into the fine distinction between reduction and the otherwise struck-match character. “The subjective (but enjoyable!) discussion was between reduction and struck match/flinty notes. I thought in general they were factors that added complexity although a few were out of balance,” he said.

Value for money

Yang Lu, corporate/group wine director of Shangri-la Hotels and Resorts

Another finding perhaps most welcoming to consumers is that a few samples that were awarded Gold medals sell for less than HK$150 (US$20) retail. A Nepenthe Chardonnay 2016 won over the judges for its pure, focused, consistent and balanced style with good intensity. The Mas La Chevalière Vignoble Peryroli, albeit an Old World style Chardonnay, still gripped the judges with its “pithy and integrated” nature, while a “technically sound” Chardonnay from New Zealand’s The King’s Bastard equally garnered the judges’ praise.

Moving up to the HK$150 (US$20) – HK$299 (US$39) range, Taylor’s Wines Jaraman Chardonnay 2015 stood out for its layers of flavours, bright acidity and its oily texture. In addition, its ‘St Andrews Single Vineyard Release’ of the same vintage knocked judges off their feet with its complexity, persistent finish and elegance. Another Chardonnay from Nepenthe’s ‘Ithaca’ 2015 also got a nod for its minerality and intensity.

Even a few technical wines under HK$100 (US$13) garnered judges’ praise for offering decent quality and great value, winning a trove of Silvers. “The technical wines were generally the less expensive ones and I think that is normal from large producers making wines for sale under HK$100. They were technically correct with sunshine fruit and balance – I think a customer is getting value for that price range,” Stockman pointed out.

The results in full from the Syrah Masters 2018

We reveal the results in full from this year’s Global Syrah Masters, which saw great names and regions rewarded, as well as some less-familiar areas that are turning out remarkable wines from this wonderful, if somewhat unfashionable grape.

Sampling Syrah: Keith Isaac MW and Jonathan Pedley MW (right)

If one were to draw up a list of the most sought-after, saleable grape varieties in the world right now, I’m saddened to say that Syrah probably wouldn’t feature. Other so-called Mediterranean varieties such as Grenache and Tempranillo seem to elicit more excitement among wine lovers, although all of the above lag Pinot Noir for the ultimate in premium image and general popularity, with Cabernet not far behind.

So why isn’t Syrah more sexy? Based on another major tasting within our Global Masters series for noble grapes, the quality of wine made from Syrah today is not the problem. In fact, of all the red grapes we consider in a raft of annual wine competitions, Syrah consistently yields the most number of Gold medals, and above: we had no fewer than 8 Masters from this year’s tasting. This is remarkable considering the calibre of our judges and the high scores necessary across the board to achieve such a result.

So, if Syrah is the source of delicious wines, surely this grape should be in vogue? Of course, but there are issues around its image, not helped by the fact wines made from the variety are generally labelled Syrah if they are from Europe, and most commonly Shiraz when they are from outside, especially from Australia. This may be yielding some confusion for consumers, and, while there are broad stylistic implications associated with each name, they don’t always hold true. Generally, Shiraz denotes a richer riper style of red from the grape, with Syrah used for something lighter and more floral. But, as our extensive tastings have shown, there are plenty of concentrated wines labelled Syrah, and some of the new styles of Shiraz from Australia, particularly where whole bunches go into the fermenters, can be surprisingly delicate, even Pinot-esque.

Then there’s the grape’s lack of lustre as a producer of fine wine. This is, of course, misplaced: for some, the greatest red wine in the world is made from Syrah: La Chapelle in Hermitage. However, this historic home of the grape, the northern Rhône, produces wines sold according to appellation, eschewing varietal labelling, meaning that some of the world’s best expressions of Syrah don’t actually overtly promote the grape.

Meanwhile, the upmarket image for the grape in the US especially has been damaged by the success of inexpensive Australian Shiraz, particularly sold under the brand Yellow Tail. Or so I’m told. And in this market particularly, where fashion is so important to sales – and wine is almost entirely merchandised by variety – one major player in the market commented that if the wine says Syrah on the label, it doesn’t move, but if you take it off, it can become a best-seller. The implication being that people actually love the taste of Syrah, just not the image.

But while commerciality is key in the wine industry, our Global Masters tastings seek to identify the sources of quality – by place and producer. Now, while the base level may be unusually high for Syrah, there are of course areas where the results are much better than others, and, as this year’s results show, some of these come as no surprise (Barossa, Hermitage), others are a revelation (Turkey, Greece, Switzerland…). So, whatever the source, let’s consider the standouts.

Now, while there were plenty of pleasing reds sub £10, the first Gold medal winners were seen once we had surpassed that key price point. As is so often the case with wine, the price-quality sweet spot comes above £12, and, if I was to choose a price band where you can maximise the amount of wine you can get for your buck, it would probably be beyond £12 and below £19 for Syrah. But even at £15 or lower, we saw some brilliant wines, notably from Washington State’s Ste Michelle, as well as the Barossa (Graham Norton, Andrew Peace, Wakefield/Taylors), Colchagua (MontGras) and Florina in Greece, where it seems that Syrah reaches delicious completion when blended with a touch of this nation’s native Xinomavro at the country’s Alpha Estate.

Over £15 but still below £20, and the number of Golds increased dramatically, with Argentina (Trivento, MP Wines) this time featuring, as well as Turkey (Kavaklidere), and New Zealand (Church Road). Among the blends, we also had our first Master, which was impressive at this still relatively low price, with Kalleske’s Moppa Shiraz benefitting from a touch of Petit Verdot and Viognier, giving some added structure and aromatics respectively to this intense, juicy and soft Barossa Shiraz.

Between £20 and £30, we had no fewer than 14 Golds and one Master, showing the potential for Syrah to perform at the entry-point price-wise of the fine wine market. Noteworthy in this band was the excellence of a Syrah from California, hailing from the Yorkville Highlands AVA, based in the southern Mendocino County, and produced by Copain – a winery within the Jackson family portfolio. Coming close in quality, however, were some more rarified Syrahs from names already mentioned (such as Wakefield/Taylors, Alpha Estate) as well as new ones to the Gold standard (representing Australia’s Barossa were: Jacob’s Creek, St Hugo, Langmeil, Tempus Two; Argentina’s Uco Valley: Trapiche, Salentein; South Africa’s Tulbagh: Saronsberg, and New Zealand’s Hawke’s Bay: Craggy Range).

And, coincidentally, between £30 and £50, we had the same tally at the top-end, with 14 Golds and one Master. Regarding the latter, the judges were seriously impressed by the Ebenezer Shiraz from Barossa, and produced in tiny quantities by Hayes Family Wines. The tables show the other lovely wines in this category, but we were pleased to see after the tasting was concluded that great wines from Barossa; the Valais (Switzerland’s Domaines Chevaliers) and Marlborough (New Zealand’s Giesen) had been rubbing shoulders quality-wise with Hermitage (Romain Duvernay).

Once we were over £50, however, we couldn’t help but award a clutch of Masters, with the Barossa’s Savitas and Levantine Hill wowing the judges, as did the Hermitage Monier de la Sizeranne from Chapoutier, and the Hickinbotham Brooks Road Shiraz from McLaren Vale – all celebrated wines attracting glorious scores. But there was another region among the Masters, and that was a wine from a relatively new area for top-end Syrah (if becoming famous for great reds from Sangiovese and Merlot) – the Maremma in Toscana. Hailing from Conti di San Bonifacio Sustinet, this turned out to be just on the entry-point of this price band, retailing for £50, making it all the more appealing among these illustrious labels.

Although that was the only Master for Italian Syrah, there were also two Golds in this price category awarded to this country – a delicious sample from Lazio, produced by the Famiglia Cotarella, as well as one from Cortona, made by Fabrizio Dionisio in Toscana.

We were also thrilled to see strong performances from famous names in Syrah such as Mission Estate (New Zealand) and Château Tanunda, Bird in Hand, Langmeil, Henschke, Gatt and Schild Estate (Australia).

In all, the tasting had rewarded the renowned along with the less familiar, as it was talent, not repute, that the Syrah Masters sought to reward through its blind-tasting format.

Please see below for the list of medallists from the Global Syrah Masters 2018.

For more information on this competition, or any of the Global Masters, please contact Sophie Raichura on:
+44 (0)20 7803 2454 / +852 3488 1008, or sophie@thedrinksbusiness.com

The judges (left to right): Roberto della Pietra, Tobias Gorn, Jonathan Pedley MW, Keith Isaac MW, Patrick Schmitt MW, Jonny Gibson

Asian Rosé Masters 2018: Results and Analysis

Rosé, the pink wine that has forever been linked with sun-soaked summers, beach holidays and cruise trips, has more depth and complexity than one might have thought. Top medal-winning wines from our inaugural Asian Rosé Masters competition prove that a great rosé is more than a pretty pale colour, the frivolity of marketing gimmicks, and celebrity tie-ins.

From left to right: Kyle Oosterberg, wine director at The Flying Winemaker; YK Chow, independent wine consultant; Ivy Ng, former publisher of the drinks business Hong Kong; Corinne Mui, COO and senior wine educator at Asia Wine and Spirits Education Centre (AWSEC); Juwan Kim, head sommelier at Zuma Hong Kong; Stefano Bartolomei, manager and wine director at Arcane.

Much like a white or a red wine, a well-crafted rosé shows no shortage of aromas, flavours and complexity. Popular opinion often goes that rosé in general is a no-frill, carefree, easy and light drink, giving rise to the idea floated around by some marketers calling for the exemption of rosé wine from any kind of serious critiquing because of its so called “ephemeral summer-friendly nature”. This, however, sounds suspiciously like sloppy natural winemakers advocating faulty wines. An honest, well-made rosé demands – and should be given – the same kind of attention and respect reserved for a white Burgundy.

This year’s competition, as judge Stefano Bartolomei, manager and wine director of Michelin-starred restaurant Arcane, pointed out, showed the high level of quality found in all the samples around the world, and a concerted effort among winemakers to reposition the pink wine.

To put it lightly, Bartolomei reminisced that in the past, producers made rosé as a “solution” to deal with leftover reds and whites, or excessive red wine must. But with rosé’s profitability and commercial success (in France, for instance, rosé’s volume sales have surpassed white wine), today’s rosé winemaking is hardly a necessity to dissipate stocks but a new field for winemakers to experiment with wine styles from colour extraction, sugar level to virtually undiscriminating use of all red varieties such as Cinsault, Grenache, Pinot Noir, Sangiovese, Cabernet Franc, and Tempranillo to produce still and sparkling wines.

Yu-Kong Chow, independent wine consultant and judge

This lends the winemaker a creative hand to develop a new dimension of rosé wine, as Junwan Kim, head sommelier of Zuma noted. “It’s a chance to establish a new dimension of rosé wine by creative winemakers, unlike white or red winemakers who stick to traditional grape varieties. But winemakers certainly shouldn’t treat rosé wine as byproduct or additional wines when they make red or white wine,” as the sommelier deduced.

In addition, more premium rosés with a bit of barrel ageing, body and texture are increasingly embraced by the on trade and sommeliers for more versatile food pairings, according to Corine Mui, COO and senior wine educator at AWSEC, when speaking about the new and recent ‘Rosé Gastronomique’ trend. Cantonese food in particular, as she singled out, is a match made in heaven for rosé wine especially for signature dishes like BBQ pork and fried rice.

Kyle Oosterberg, wine director at The Flying Winemaker

This is echoed by Bartolomei, who believes rosé is becoming a starter-to-finish, full menu-worthy food wine.

“Until 15 years ago, you would never thought of suggesting it for the whole meal,” he exclaimed, as most associate it as an aperitif. “The key of the change has been the offer. More and more producers are offering nowadays very high quality and various types of rosé wines. That gives the sommelier the chance to propose it for a lot of dishes with different consistencies, flavours and fat content.”

The industry’s efforts to elevate rosé’s profile is best demonstrated in our Asian Rosé Masters Results with three wines winning the highest accolade of Master – one from Australia which is stunning value for money at under HK$150, and another two from France’s Languedoc and Champagne, respectively. New World regions such as Australia and New Zealand gave the traditional rosé historic base, Provence, a run for the money with the highest number of Gold-medal winners. Silvers are abound in countries such as Italy and Spain, traditional markets for the pink wine, and many medal winners from this year’s competition more encouragingly are mainly from the commercially viable price category of HK$100-HK$300.

Rosé from down under 

About the competition

The Asian Rosé Masters is a competition created and run by the drinks business Hong Kong, and is an extension of its successful Asian Masters series. The competition is exclusively for rose wines and the entries were judged by a selection of experienced tasters including Hong Kong’s top sommeliers, sommeliers and wine educators. The top rosé wines were awarded Gold (93 points or above), Silver (89 points or above) or Bronze (85 points or above) medals according to their result, and those rosé that stood out as being outstanding received the ultimate accolade – the title of Master (97 points or above). The wines were tasted over the course of a single day on 4 July, 2018 at The Flying Winemaker’s office in Central. This report features only the medal winners.

The beauty of blind tasting, as we have stressed again and again in the past, is that we can put all wines regardless of wine regions on the same level playing field, without bias and preconceptions. Judged only by price and style (still, off-dry and sparkling), the competition saw the most number of Gold medal and Master medal winners under HK$150. Out of the total seven gold medals we have given out, five came from this price band, confirming that there’s plenty of quality in value – all from down under in Australia and New Zealand.

“French producers still led the category at the top end of the spectrum, with gems from Australia and New Zealand giving a run for the money, particularly at the lower price range,” Yu-Kong Chow, independent wine consultant and wine judge, commented after all the identifies of the wines are revealed.

At this level, judges are looking for approachable wines that are well balanced with abundant fruit characters and refreshing acidity. One stand-out is actually Jacob’s Creek Le Petit Rosé, a Provence style light coloured rosé produced from southeastern Australia. This crisp wine with plenty of berry and floral notes, perhaps is the quintessential quaffable rosé, and yet more stunningly, costs less than HK$100. Similarly, New Zealand’s Yealands Wine Group’s two value wines – Babydoll Rosé and Clearwater Cove Rosé – made from Pinot Noir grape in Marlborough impressed the panel with its depth of fruit character and liveliness. The three wines all achieved Gold medal in the under HK$100 price band.

Stefano Bartolomei, manager and wine director at one Michelin-starred restaurant Arcane in Wanchai

Moving slightly higher up in the HK$100-HK$150 price bracket, it is another leading Australian wine producer, Australia Vintage, parent company of McGuigan Wines, Tempus Two and Nepenthe, that proved to be the biggest winner. The McGuigan Rosé from Australia’s cool climate Adelaide Hills is lauded by Bartolomei for its “long finish and great complexity” with a “fresh floral and very clean” nose, earning the top prize of Master, the highest scoring Australian wine in this competition.

Another high-scoring rosé is also from Adelaide Hills. The bone dry, full-bodied Nepenthe Altitude Rosé 2017 is redolent with red fruits, and subtle cranberry and grapefruit notes, earning it a Gold. The Marisco Vineyards’ The Ned Pinot Rosé, blended from Pinot Noir and Pinot Gris from Marlborough, is a crowd-pleaser noted for its strong and focused core of fruits and razor-sharp acidic edges.

In the HK$151-HK$200 category, it is a copperish-coloured Romato from Italy’s venerable Marchesi Frescobaldi estate’s Attems rosé made in Northern Italy’s Friuli Venezia Giulia that swept the judges away with its incredibly long lingering flavours, flinty minerality and red core fruits.

Shades of rosé

Corinne Mui, COO and senior wine educator at AWSEC, Hong Kong’s oldest wine and spirits education centre

So far, most of the samples are Pinot dominated rosé made in the non-impassive stainless tanks with gentle pressing and short maceration to emulate Provence’s light-coloured style, still arguably the most popular category among consumers, which also makes it the most successful one by far in export market.

“I think nowadays, a consumer is trained to think that pale pink rosés are where the quality lies and more than half of the world market for rosé is made pale. Producers can’t sell dark rosé abroad even if the quality of the wine is fantastic so the darker rosés are made for local consumption (especially in the New World) and the paler ones for the international market,” explains Kyle Oosterberg, wine director of The Flying Winemaker, organiser of the Rosé Revolution tasting events in Asia.

Admittedly, Provence rosé is coveted around the globe, but in this competition, with a wide spread of wines from across the globe, Provence entries performed well mostly in the Silver medal chart with fine representations from Brad Pitt and Angelina Jolie’s ‘Miraval’, Chateau Routas Rosé and Chateau d’Ollieres Prestige Rosé.

The age old question 

The judges

Corinne Mui, COO and senior wine educator at AWSEC
Juwan Kim, head sommelier at Zuma Hong Kong
Stefano Bartolomei, manager and wine director at Arcan, a one Michelin-starred restaurant in Wanchai
Kyle Oosterberg, wine director at The Flying Winemaker
Yu-Kong Chow, independent F&B consultant and wine judge
Ivy Ng, former publisher, the drinks business Hong Kong

Within France, another challenger came from Provence’s neighbour to the west, Languedoc. The sunny region bagged one Master medal with Gérard Bertrand Château la Sauvageonne La Villa 2017. Made from Grenache, Mourvedre, Vermentino, Viognier, the wine is a more complex version of rosé with six months of ageing in oak, giving it an extra layer of subtle toastiness on top of berry fruit flavours. The Grenache varietal is co-fermented with Vermentino and Viognier to ensure a seamless integrity, and the efforts are righteously awarded by the judges.

This brings out a ticklish quality of the wine that has both rosé condemned and praised for – age, in the form of oak ageing and ageing potential.

Juwan Kim, head sommelier at Zuma Hong Kong

Granted many love rosé for its early drinking ability, a character that differs drastically with tannic reds, as nearly all samples of the competition are from either 2017 or 2018 vintage. Yet this ephemeral quality made many question rosé’s ageing potential, leading people to believe rosé is meant to be drunk young.There are however exceptions to the rule, as we have seen from top rosé from Bandol or Chateau d’Esclan’s premium Burgundian style ‘Garrus’, and also the top medal winner Gérard Bertrand Château la Sauvageonne La Villa that can age and improve over years.

This Languedoc rosé is a fine example of how oak and barrel ageing can compliment rose’s overall quality if a wine has enough fruit core and acidity. For most producers, the key to rosé is its fruitiness, thus most are fermented in stainless steel tank to retain the fresh fruits. But with thicker skinned grapes with higher acidity such as Mouvedre, Tempranillio and Grenache, oak and barrel is applied more liberally in line to produce a more age-worthy rose.

“like with many other wines, oak needs to be applied judiciously, and this would be no different for rosé as well. When done well, they taste fresh and vibrant in their youth, yet becoming more complex and mellowed as they grow older with dried fruits coming to the fore as the fresh fruits are nudged into the background. The texture would also transform becoming softer and more velvety,” Chow analysed.

“An early indication of such an example is evidenced by the stellar performance and potential of the 2017 vintage of Château La Sauvageonne La Villa from Gérard Bertrand in this competition,” he praised.

The key however as wine educator Mui succinctly summarised still hangs in balance. “Whether oak/barrel can improve the quality, it still depends on the balance of everything, i.e. oak, fruit flavours, acidity, body etc.” she demurred. “This is still the same for wines of all colours”.

Judges unwrapping all the wine samples after blind tasting to reveal wine identities

Of course, with more ageablity comes with higher price tags. “It depends on producers to be honest. Some styles of rose can be aged. For example, Clos Cibonne Tibouren Cuvée Spéciale des Vignettes can be aged for more than 5 to 6 years. But we can’t expect same longevity from wines under HK$1,000 per bottle,” Kim from Zuma restaurant exclaimed.

Another category of rosé that can withstand longtime ageing is top cuvée from Champagne. The Champagne Lanson Rosé Label Brut Rosé NV, A blend of Chardonnay, Pinot Noir, and Pinot Meunier with racy acidity is a vibrant, flinty, superb sample of rosé that won over the judges with a much deserved Master, with firm certainty of ageing potential. The Champagne house’s Extra Age Brut Rosé with additional five years of ageing before release has more richness and bottle maturity on the front. The more vivid pink-coloured bubble was awarded a Gold as well. Both wines fall into the pricier HK$400-HK$800 price category.

Overall, the samples are correctly made except a couple that showed hints of rotten egg, which could be excessive sulfur dioxide.

Asian Cabernet Sauvignon Masters 2017: Results

Well-priced Cabernet Sauvignon from the New World dominated the medal chart of our inaugural Asian Cabernet Sauvignon Masters, impressing judges with their quality and approachable price points.

All the judges for the Asian Cabernet Sauvignon Masters. First row (from left to right): Eric Desgouttes, general manager of Kerry Wines, Jennie Mack, managing director of Asian Wine Service & Education Centre, and Wallace Lo, hotel sommelier of The Park Lane Hong Kong. Second row (from left to right): João Pires, director of Wine, Food & Beverages at City of Dreams Macau, Ivy Ng, publisher of the drinks business Hong Kong, Amanda Longworth, head of marketing and wine services at BBR Hong Kong, Wendy Chan, general manager of wine & spirits at Telford International, Alan Liu, beverage and country store manager of The American Club Hong Kong and Peter Nicholas, winemaker and general manager of Boutique Wines

The Asian Cabernet Sauvignon Masters is the Asian edition of our popular Global Cabernet Sauvignon Masters where all the entries are judged solely by grape variety instead of region of origin. The entry requirements state that the wines needed to be made from a minimum of 50% Cabernet Sauvignon. The samples were blind tasted and assessed by price bracket and stylistic difference (oaked or unoaked) to identify the best of Cabernet Sauvignon in their own price range in the local market.

“It was a great tasting, very interesting range of styles”, commented Peter Nicholas, general manager of Hong Kong-based wine merchant Boutique Wines. Amanda Longworth, head of marketing and wine services at Berrry Bros. & Rudd Hong Kong agreed: “I thought the wines are generally very good, particularly in the lower price points. Excellent quality for value and for money. I thought the quality was very impressive.”

Held on 14 March at the club house of Crown Wine Cellars, located in a UNESCO Asia Pacific Heritage site in Hong Kong, the competition received more than 100 entries from both the New and Old Worlds. Quality of wines was impressive across the board as nine judges gave out a total of four Masters (wines scored 95 points or above), 12 Gold medals (wines scored 90 points or above), 37 Silver medals (85 points or above) and 42 Bronzes (80 points or above).

Old Guards

The judges

Jennie Mack, Managing Director & Senior Wine Educator, Asia Wine Service & Education Center
João Pires, Master Sommelier, Director of Wines, Food & Beverages, Altira Macau, City of Dreams Macau & Studio City Macau
Wallace Lo, Hotel Sommelier, The Park Lane Hong Kong
Alan Liu, Beverage and Country Store Manager, The American Club Hong Kong
Eric Desgouttes, General Manager, Kerry Wines
Wendy Chan, General Manager – Wines & Spirits Division, Telford International Company Limited
Amanda Longworth, Head of Marketing & Wine Services, Berry Bros. & Rudd Hong Kong
Peter Nicholas, General Manager, Boutique Wines
Ivy Ng, Publisher, the drinks business Hong Kong

The results affirmed that Australia, Chile, Argentina and the US have come of age in crafting first-rate pure Cabernet Sauvignons and Cabernet-dominated blends that display the typicity of the grape variety, characterised by high tannins, juicy blackcurrant flavours and spicy peppery hints. Different from delicate Pinot Noir, Cabernet regardless of its growing regions and climates, is famous for its ability to show this typicity without fail.

“Cabernet Sauvignon is no doubt a benchmark grape variety in the same way Chardonnay is for whites. Made all over the world, one can enjoy an entry-level Cabernet or high-end Bordeaux or California, for instance, but its DNA profile is paramount,” João Pires MS, director of Wines, Food & Beverages, Altira Macau, City of Dreams Macau & Studio City Macau, commented. “And this DNA is always related to typical blackcurrant aroma profile, tannic edge, full-bodied rich style, spicy peppery hints and considerable length.”

Australia led the Masters category with three wines clinching the prestigious title. They were: Levantine Hill Estate Samantha’s Paddock Mélange Traditionnel 2013, a blend of Cabernet (81%), Merlot, Cabernet Franc and Petit Verdot from Yarra Valley; Taylors Wines The Visionary Cabernet Sauvignon 2013 and Wolf Blass Black Label Cabernet Shiraz Malbec 2012. The country has proven time and again that it’s capable of crafting masterful Cabernets that can command top market prices and indeed all three wines are in the HK$800+ (US$103) price range. The country’s warmer regions such as Coonawarra and Margaret River are established Cabernet sites. In addition, Clare Valley in South Australia is also shaping up to be a prime site for high quality Cabernet as seen in Taylors Wines’ The Visionary Cabernet Sauvignon, a 100% Cabernet that impressed the judges with its purity of fruit, texture and quality of tannins.

Chile’s Maipo Valley excelled in the top-rated, best value Cabernet Sauvignon category, confirming its superiority among New World Cabernets. Alto Maipo, which encompasses Puente Alto and Pirque, delivered the most top-rated Chilean Cabernet examples. World-class Cabernets are produced here as we found in Santa Rita’s ‘Casa Real’, Viña Ventisquero’s ‘Enclave’ and Cousiño-Macul ‘Finis Terrae’. All three of which received Gold medals. 

Moving inland to Chile’s neighbour – Argentina – it’s known that the Mendoza wine region is defined by Malbec; but as previously noted in our global Cabernet Sauvignon Masters competition, there’s been a surge of beautiful Cabernets made by producers there in recent years. This is also confirmed by our Asian masters results where Bodega Vistalba’s Tomero Cabernet Sauvignon, a pure expression of the red grape, was awarded a Gold medal. The result is extremely encouraging as this high performer only sells between HK$150 and HK$199, making it arguably the best value Gold medal winner among all the entries. 

Newcomers in town

Throughout the competition when the wines’ identities were finally revealed, many judges’ jaws were left on the floor as lesser-known Cabernet samples from Israel’s Central Hills and Upper Galilee, Japan’s Yamanashi, China’s Shanxi province and the US’s Washington State not only stunned judges with their superb quality, but outperformed many of the traditional Cabernet strongholds in Australia and Chile.  

The biggest surprise was a Japanese Cabernet from Suntory’s Tomi Winery located in Yamanashi to the southwest of Tokyo near Mount Fuji. The wine was unanimously given the ultimate accolade of a Master. Its fine-grained tannins, well executed texture and structure left a few judges convinced of its probable provenance from a top Bordeaux estate. Eric Desgouttes, general manager of Hong Kong’s leading wine merchant Kerry Wines, who gave out close to 100 points to this velvety and savoury red, said, on top of its typicity, its outstanding quality, “its minerality is really riveting. It’s truly a special wine”.

A Bordeaux blend red from China’s Chateau Rongzi in Xiangning County in Shanxi also nabbed a Gold, confirming that the Asian country can produce medal-worthy top reds. “It was quite a surprise that Japan and China are doing an exceptional job. Some of the judges like myself even guessed they were fine Bordeaux. That is a really big WOW, and I do think these wine regions really deserve a bit more attention, especially from a restaurant’s or sommelier’s point of view,” Wallace Lo, hotel sommelier of Park Lane Hong Kong, exclaimed after learning the where the wines were from.

Equally meriting the judges’ praise was a pure Cabernet from Chateau St. Michelle in Washington State. The wine impressed judges with its complexity, structure and fruitiness, in short, it’s a wine that “checks every box of quality Cabernet” Jennie Mack, managing director of Asia Wine Service & Education Centre, commented during assessment. Indeed, when talking about American Cabernet, much of the attention is turned and rightly so – onto Napa or Sonoma in California. Washington State has steadily emerged as a key Cabernet player in the past two to three years, however, to the extent that the grape has now become the region’s dominant grape variety.

Across the Atlantic ocean in the holy land of Israel, two wines – Altitude 624+ by one of the country’s largest wineries Barkan Vineyards in Upper Galilee and Gva’ot Winery from Shomron in Central Hills – sit comfortably in the privileged league of Gold medal winners. Cabernet, being one of the three most widely planted wine grapes in Israel along with Carignan and Merlot, provides a firm backbone either in blend or unblended versions as were seen in these two examples. Such is the power of this versatile and masculine grape variety. Both wines were high-scoring performers, and the Altitude 624+ wine seems to deliver much for its price in the HK$200-HK$299 range.

Winemaking techniques

Judges doing blind-tasting and assessing samples

When it comes to winemaking techniques, it was evident that most of the Cabernet samples were well polished and true to their style, but there were a few instances of what the judges called ‘technical wines’, referring to wines that are clearly heavily influenced by human factors. It’s worth noting that technical wines are not faulty wines but rather more uniform expressions that seem as if they have been made to a ‘recipe’. But with excessive oak use or over extraction, the tannins are drying and coarse, giving an unpleasant sensation on the palate.

I think nowadays, it is not that often to find a really ‘bad’ wine in tasting, but it is more like tasting a lot of wines that are trying to be technical. There’s nothing wrong with them, but they are just wines that are trying to fit in all the boxes in a tasting sheet, nothing more,” Wallace Lo, added.

A few samples with high alcohol levels were not yet well integrated with quality fruit and lacked balance, a few judges pointed out. Wines with “well integrated with fine-grained tannin and a depth of finesse and elegance” in particular are what Wendy Chan, general manager of Wines & Spirits Division, Telford International Company Limited, was looking for when judging the samples.

The colour of most Cabernet samples was deep and luscious, varying on the spectrum from purple to dark ruby. This is a firm indication of the grape variety’s thick grape skin and its predominant dark fruit character. “Personally, I like to see good depth of colour,” added Nicholas, a factor he focused on when judging the wines.

Most of the wines are from recent vintages with the oldest being 2010. Freshness was generally found in nearly all the samples and the judges had a special liking for wines with lively freshness and vibrant acidity. “For me, herbaceousness is an integral part of Cabernet Sauvignon. It just depends on the level. The green bell pepper characters should sit behind and complement the fruit characters. The classic example is the Cru Classé Bordeaux where the herbaceousness sits well behind the fruit, oak and developing aromas and flavours,” commented Nicholas.

About the competition

The Drinks Business Hong Kong Asian Masters Cabernet Sauvignon is the Asian edition of our successful global Masters series. A departure from traditional judging wines by region, the competition assesses wines purely by grape variety. Divided only by price bracket and, for ease of judging, whether the style was oaked or unoaked, the blind tasting format allowed wines to be judged without prejudice about their country of origin. Wines were scored out of 100, with those gaining over 95 points being awarded the top title of Master. Those earning over 90 points were given a Gold, those over 85 points a Silver and those over 80 points a Bronze. The wines were judged by an expert panel of nine judges including a Master Sommelier, Hong Kong’s top wine buyers and educators on 14 March at the historic Crown Wine Cellars. This report only features the medal winners.

Value for money

Even more encouraging than the quality of Cabernet the judges discovered from New World countries was the unpretentious and approachable retail price points for these top wines, led by Chile in particular. Aside from the four Masters (all in the HK$800 price bracket), between HK$100 and HK$400 five wines picked up a Gold, of which three –unsurprisingly – are from Chile.

Even moving to lower-price brackets below HK$100, it is clear there are some great producers really pushing the envelope to challenge profit margins and quality to produce three Silver medal-wines that were well balanced, pleasant and honest Cabernets. They were Viña I Wines, Palo Alto and Veramonte, not to mention the other Silver medals Chile bagged in the HK$100 to HK$200 range.

“Below HK$300, there were quite a lot of Silvers and even Golds, but between HK$400 and HK$800 it was quite difficult because there was a lot of ambition in the wines, sometimes they get a little bit lost with what they are trying to achieve. Definitely some of the biggest surprises for lower price point wines there,” BBR’s Amanda Longworth commented.

Between HK$400 and HK$800, only three Golds were awarded as judges become increasingly conscious about the price tag in correlation to quality. They Golds went to; Stonestreet Estate Vineyards Cabernet Sauvignon 2013 from Alexander Valley, Viña Maipo Protegido Cabernet Sauvignon 2014 and Viña Ventisquero Enclave 2012. 

This sentiment was echoed by Alan Liu, beverage and country store manager of The American Club in Hong Kong: “Some lower price point wines performed actually better and have better balance than higher price point wines. Also, the quality from New World countries is better than what I expect.”

However, when it comes to ultra-premium wines including the top performing Japanese and Chinese wines, their higher-than-normal retail price points could intimidate consumers (both were in the HK$800 or above range). “Japanese or Chinese wines are still a relatively new category. It will take a lot of time for them to get where Bordeaux is, if they actually get there. From a consumer’s point of view, they are not familiar with Chinese or Japanese wines, so for them to pay top price for the wine is going to be hard,” Pires added.

Click through the pages to see all the results

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